![]() ![]() ![]() If these are inconsistent the audience disconnect from the character and storyline. Actors should constantly hone their skills in order to deliver authentic accents for characters. Learning an accent is not a one-dimensional approach and can’t be restricted to the text on the page. This is achieved by analysing and working on the many facets that dictate why a character speaks as they do, taking into account-period, age, culture, education, level of confidence, socioeconomic factors, and many other aspects that determine its unique flavour. The voice and dialect given to a character are paramount to a truthful portrayal. Learning an accent is not simply about the correct pronunciation of words and implementing the change in vowel sounds but involves working on the various layers that define it as well as the dialect of the particular region. Whether you need to prepare for an audition or role or want to develop your repertoire of accents, sessions are offered on an adhoc or regular basis. Vanessa coaches privately from home or online. She also checks that all script revisions are grammatically and historically correct and accurate in terms of the regional dialect and she works alongside the script supervisor to ensure correct delivery of scripted dialogue. Should ADR be necessary she works with the actor in studio when possible to ensure the best vocal performance. Once prepared, Vanessa is present on set for all dialogue scenes to monitor accents and note the best takes of dialogue for the editor. Only when an actor can confidently improvise in any given dialect can they feel they have mastered its nuances. A person’s accent refers to the difference in pronunciation of words whereas the dialect encompasses the grammatical and vocabulary differences as well. Learning a dialect is not a one-dimensional approach and can’t be restricted to the text on the page. The many aspects that determine the finer tuning of the flavour of the dialect -period, age of the character, culture, life experience, and level of confidence, pace of life, socioeconomic factors.The musicality and rhythm – the melody of the dialect.The general rules of a particular accent bearing in mind these are not always fixed and dependent on context. The vowel, consonant, monophthong, and diphthong changes.The physical aspect, focussing on placement and formation of sounds.The history of how the dialect developed in a particular region.This is achieved by analysing and working on : Vanessa regularly works as the resident Dialogue Coach for Film and TV productions involving private pre-production sessions with actors to ensure they are prepared with the dialect of the character they are playing. She coaches actors privately as well as providing voice training for corporate companies. She has a home recording booth which enables her to provide a fast turnaround for clients.įor Film and TV shows she has been the resident Dialect Coach for Outlander Season 3, Black Sails Season 4, Origins-Journey of Humankind, 24 Hours to Live, Labyrinth and Young Leonardo as well as for numerous commercials. She is equally competent with all styles of delivery and has an extensive repertoire of accents including UK- RP, Northern, Cockney, West Country, Estuary, Scottish, Welsh, Irish, Standard American, Southern, New York, Australian, French, Italian, German, Russian and many others on request.Īudiobooks are another facet of her voice work with children’s books and character voices being a keen favourite.Ī professional singer, she also records jingles and is an avid songwriter. ![]() As a Voice Artist, she is regularly in studio recording for radio and television commercials. Trained at Elmhurst and The London Studio Centre she went on to perform in numerous productions globally. Vanessa is a Voice Artist and Dialect Coach with many years experience and a great passion for this work. ![]()
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